Works List

To view or request scores or parts, please contact me either by email or through my Contact page.

CHORAL

ॐ: THE IMPERISHABLE

Commissioned as part of Choir & Organ Magazine’s New Music Series 2024, in partnership with the Marian Consort, The Imperishable is a choral work by based on the first verse of the Māndūkya Upanishad.

Forces: SATB Choir (with divisions) a capella

Duration: c. 5′

THE ASCENSION स्वगार्रोहण

The Ascension , which narrates Christ’s departure from Earth as told by his eleven apostles, forms the final Canto of the poem. This work contains the final three verses from this Canto and are performed in both English and Sanksrit

Forces: Double SATB choir, organ, alto saxophone

Duration: c. 5′ 30″

A GREAT AND MIGHTY WONDER

A hymn written for the Choir of St Wilfrid’s, Harrogate, which combines Gibbons’s poignant motet Drop, drop slow tears in antiphony.

Forces: Double SATB choir

Duration: c. 6′ 30″

LORD, I CRY UNTO THEE

At the height of the COVID-19 pandemic, I was commissioned by Graham Ross and the Choir of Clare College, Cambridge, to write an Introit.

First performed in May 2021.

Forces: SATB choir

Duration: c. 3′

CHAMBER

DHYĀNA

Dhyāna is a contemplative meditation inspired by the serene Raga Marwa, traditionally performed at sunset.

First performed by Fenella Humphreys and Mahan Esfahani at the Cheltenham Composer Academy 2022.

Forces: violin and harpsichord

Duration: c. 7′ 30″

ENNUI

Ennui represents how my perception of time as a process has transformed, but it also serves as an inner reflection of the fluctuations in my sanity and wellbeing.

Originally written in March 2021 for players of the BCMG and has since been adapted into a version for string trio which was recorded by members of the Piatti Quartet as part of the final of the Clements Prize 2021.

Forces: trio

Duration: c. 5′ 30″

DREAM OF SPRING

The title is a phrase taken from Samuel Taylor Coleridge’s poem Work without Hope, a sonnet where seasonal imagery permeates as both a reflection of the natural world and as a reference to the narrator’s psychological state.

Forces: soprano, violin, viola, violoncello, flute, clarinet, piano

Duration: c. 10′

VOCAL

THE BIRTHNIGHT: TO F

A setting of Walter de la Mare’s poem of the same name.

Forces: mezzo-soprano, piano

Duration: c. 4′

THE WALRUS AND THE CARPENTER

A setting of words from Lewis Carroll’s poem of the same name. Commissioned for publication in the 2023 Trinity College London Initial Grade Singing Syllabus

Forces: voice, piano

Duration: c. 2′

ORCHESTRAL

AUXOCHROME : CHROMOPHORE

The title is named after two words which are repeated throughout Frida Kahlo’s diary. ‘AUXOCHROME’ describes Kahlo herself, the one who captures colour, and ‘CHROMOPHORE’ refers to her husband, Diego Rivera, the one who gives colour.

The two movements are named after the respective paintings by Kahlo which have made a particularly great impression on me.

Forces: 1.2.2.2.1.2. 4.4.3.1, timp, 5 perc., str (Vln1/Vln2/Vla/Vlc div a2,Db)

Duration: c. 12′

SOLO

VASANTI

Vasanti displays the warmth and gradual growth associated with the season of spring, together with the odd burst of vitality.

First performed by Samuel Huston at the ‘New Music Series’ at Sidney Sussex College, Cambridge, in November 2019.

Forces: clarinet in Bb

Duration: c. 4′ 30″